Becoming Gene Marshall: Filigree

These past couple of months have been so dance-heavy for me, which has been great. Loads of classes, social dances and a couple of balls (don’t be rude). Most recently, I attended the Lewes Grand Ball, which had a piper, a live band, and a grand march to kick off the event. It’s been years since I attended a ball with a grand march, and it was quite refreshing to just be directed for a few minutes.

Held at the Lewes Town Hall, we had a lovely venue – though it would have cost an extra £60 (!?!) to go through the main entrance. Hence, we all went in through the kitchens. Not as glamorous, but at least I can save the money and buy some fabric.

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This Gene Marshall feature is for the dress called Filigree, which she wore to the Monolithic Black and White Ball. It was a good starting point for my own creation, though there were things I changed to suit me.

Filigree
Image courtesy of Ashton Drake.

After the state of Destiny by the end of the evening, I knew I wanted to make a shorter dress this time around so it wouldn’t get dragged through the talc again. This was the perfect combination of swingy skirt and fitted bodice for an evening spent dancing.

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For the bodice, I used Butterick 4443 – just a basic strapless top, interfaced and boned. Afterwards, I stitched the guipure lace on top to add some interest that wasn’t the strange moustache bow that Gene sported. The white fabric is silk dupion, which I was glad to use in something layered: the fabric had a large snag right in the middle that would have made it unusable in most other circumstances. However, I was able to patch it up and then the black lace hid it.

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In the end, I was able to get all of the fabric from eBay – silk, lace and guipure lace trim. The silk had been in my stash since December, just awaiting the right garment. So chuffed with that. Why is it that shopping from others’ stashes is more satisfying than going to the fabric store?

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The skirt was a full circle skirt in white, then the black lace cut in the same pattern but three inches shorter. The lace on the outer edge was the same as at the bodice, but I clipped it to make it more flexible; that straight edge wasn’t going around a circular hem easily enough, and I also liked the idea of having a larger white border. In the interest of full disclosure, my petticoat is from Banned, the belt is vintage Next, and my dance shoes are Bloch.

Of course, thanks go to Alex for photographing, and to the Laird Hamilton for supporting this rather eccentric hobby of doll-based dressmaking.